The Matrix

Set in the 22nd century, The Matrix tells the story of a computer hacker who joins a group of underground insurgents fighting the vast and powerful computers who now rule the earth.

Directed by: Lilly Wachowski Lana Wachowski James McTeigue Colin Fletcher Victoria Sullivan
Genres: Action, Science Fiction,
Production Company: Village Roadshow Pictures, Groucho II Film Partnership, Silver Pictures, Warner Bros. Pictures,

The Matrix - Welcome to the Real World. - Azwaad Movie Database
  • Release Date: 30-03-1999
  • Runtime: 136 Minutes
  • Popularity: 50.69
  • Vote Count: 18,501
  • IMDB Rating: 8.1
  • Budget: USD 63,000,000
  • Revenue: USD 463,517,383
  • Region: Australia ( AU ), United States of America ( US ),
  • Homepage:

Photo Name Character
Keanu Reeves - Azwaad Movie Database Keanu Reeves Thomas A. Anderson / Neo
Laurence Fishburne - Azwaad Movie Database Laurence Fishburne Morpheus
Carrie-Anne Moss - Azwaad Movie Database Carrie-Anne Moss Trinity
Hugo Weaving - Azwaad Movie Database Hugo Weaving Agent Smith
Joe Pantoliano - Azwaad Movie Database Joe Pantoliano Cypher
Gloria Foster - Azwaad Movie Database Gloria Foster Oracle
Marcus Chong - Azwaad Movie Database Marcus Chong Tank
Paul Goddard - Azwaad Movie Database Paul Goddard Agent Brown
Robert Taylor - Azwaad Movie Database Robert Taylor Agent Jones
Julian Arahanga - Azwaad Movie Database Julian Arahanga Apoc
Photo Name Department
Barrie M. Osborne-Production Barrie M. Osborne Production (Executive Producer)
Joel Silver-Production Joel Silver Production (Producer)
Mali Finn-Production Mali Finn Production (Casting)
Bruce Berman-Production Bruce Berman Production (Executive Producer)
Zach Staenberg-Editing Zach Staenberg Editing (Editor)
Don Davis-Sound Don Davis Sound (Original Music Composer)
Michael Wilkinson-Costume & Make-Up Michael Wilkinson Costume & Make-Up (Costume Assistant)
Kym Barrett-Costume & Make-Up Kym Barrett Costume & Make-Up (Costume Design)
Deborah Riley-Art Deborah Riley Art (Set Designer)
Bill Pope-Camera Bill Pope Camera (Director of Photography)

See Full Cast & Crew of The Matrix


The Martix is a great example of a movie that will live for ever or a very log time. The story and concept are out of this world. Keanu Reeves plays his role with utter brilliance, the cast was very well put together and the graphics are still to this day amazing. All in all one of the best movies of all time.

id : 51429fb419c29552f00f2f7b

Get this: what if all we know as reality was, in fact, virtual reality? Reality itself is a ravaged dystopia run by technocrat Artificial Intelligence where humankind vegetates in billions of gloop-filled tanks - mere battery packs for the machineworld - being fed this late '90s VR (known as The Matrix - you with us here?) through an ugly great cable stuck in the back of our heads. And what if there was a group of quasi-spiritual rebels infiltrating The Matrix with the sole purpose of crashing the ruddy great mainframe and rescuing humans from their unknown purgatory? And, hey, what if Keanu Reeves was their Messiah? What sounds like some web freak's wet dream is, in fact, a dazzlingly nifty slice of sci-fi cool. The Wachowski Brothers (Andy and Larry - last seen dabbling in kinky lesbian noir with the excellent Bound) pulling off something like a million masterstrokes all at once. Taking the imprimatur of the video game, they meld the grungy noir of Blade Runner, the hyperkinetic energies of chopsocky, John Woo hardware and grandiose spiritual overtones into William Gibson's cyberpunk ethos to produce a new aesthetic for the millennium powered to the thudding beat of techno. And it is just incredible fun. The key is the technique of "flo-mo", a process born from Japanese animation, whereby an object in motion is seemingly frozen while the camera miraculously spins around it as if time and gravity are on hold. It grants the action (including some killer kung fu which Reeves and crew spent months perfecting) liberty to take on surreal visual highs. Superhuman feats permissible, of course, in the context of VR as the rebels download Herculean "talents" to fuel their subterfuge. Meanwhile, the audience can only gawp longingly, with its jaws thunking to the cinema floor in unison, as the heroes wrapped in skintight leather, sleek shades and designer cheekbones, spin up walls, leap from high rises and slip through streams of bullets in silken slo-mo. Tron this ain't. Immediately reigniting the moribund cyberpunk genre (the kids can't get enough Stateside), this has thrust Reeves from his imploding career back to Speed highs (and laying to rest the hideous ghost of Johnny Mnemonic) and stolen much more of Star Wars' thunder than was thought humanly possible. For all its loony plot, The Matrix is fabulous. Sure, the expert Fishburne is depended upon to expound the lion's share of the script as seer-like rebel leader Morpheus. Reeves, stunning in his newcast slenderness, as Thomas "Neo" Anderson, the hacker turned hope for all mankind (care of some ill-defined mystical calling) is asked little more than perpetual befuddlement. Like Speed, though, this movie plays on his iconic looks rather than his oak-like emoting. There's a major find, too, in the irresistible Carrie-Anne Moss, a majestically wrought combination of steely no-shit intelligence and rock-chick vivaciousness as fellow tripper Trinity. And Weaving, cast against type, neutralises his Aussie tones to a freaky deadpan, the head of the MiB-styled defence system set against the Goth invaders. And sure, three minutes of post-movie deliberation and all this state-of-the-art cyberdevilry is reduced to the purest gobbledygook. That, though, is not the point. The Matrix is about pure experience; it's been many a moon since the Empire crew have spilled out of a cinema literally buzzing with the sensation of a movie, babbling frenetically with the sheer excitement of discovery. From head to tail, the deliciously inventive Wachowskis (watch them skyrocket) have delivered the syntax for a new kind of movie: technically mind-blowing, style merged perfectly with content and just so damn cool, the usher will have to drag you kicking and screaming back into reality. You can bet your bottom dollar George never saw this phantom menace coming. Verdict - The deliciously inventive Wachowskis have delivered the syntax for a new kind of movie: technically mind-blowing, style merged perfectly with content and just so damn cool. 5/5 - Ian Nathan, Empire Magazine

id : 51ea49fe760ee35ab1463677

It was around 2001 that I first watched this film and recently giving it another go, ever since, doesn't change the fact for me that this movie is an timeless piece of filmaking. From the characters to the striking and thought-provoking story, it basically has everything to make an action film a 10/10 in a book.

id : 59741276c3a3685dd800b2d8

Finally got to see this on the big screen thanks to the TIFF Bell Lightbox in glorious 35mm. My reaction: whoa! On top of that, I was able to participate in a round table discussion over the film's technical innovations, thematic philosophies, religious metaphors, undertones of gender politics, and absolute ass-kicking action. Can a movie be any more perfect?

id : 5c842b4c92514127601f8033

***Brainy, entertaining and iconic, but too cool*** When a Big City computer hacker (Keanu Reeves) feels something is intrinsically wrong with reality, a woman with superhuman abilities (Carrie-Anne Moss) informs him that a mysterious man named Morpheus has the answers (Laurence Fishburne). But he has to escape the “agents” who are pursuing him (e.g. Hugo Weaving) to get to Morpheus. At which point his world is turned upside down and inside out. Marcus Chong and Joe Pantoliano are also on hand. "The Matrix" (1999) is a cerebral sci-fi/action film that mixes elements of the first two Terminator flicks (1984/1991) with martial arts action and a basic concept that hails back to “Star Trek: The Motion Picture” (1979) and no doubt further. To put this intricate movie together and make it entertaining took genius, so I give credit to the Waschowski Brothers, um, I mean sisters (rolling my eyes). The casting is great and Carrie-Anne is stunning throughout (I usually don’t like short hair on women, but she’s an exception). For me, though, the Waschowskis made it too comic booky. The posturing characters in their slick black outfits & sunglasses scream “Yeah, right.” And the Messiah angle is old hat. The film runs 2 hours, 16 minutes, and was shot in Sydney, Australia, with some exterior scenes done in Nashville and San Francisco. GRADE: B

id : 5e00f61375110d0018d87572

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